Error 406
N𰁅𰆃S𰆆𰀀𰄖𰁨𰂒A
Not Acceptable
Toggle navigation
  • Home
  • News
  • Essays
  • Error 406
  • Error 415
  • Exhibition now live
Logo

ERROR 406
𰄲𰁅𰆃S𰆆𰀀𰄖𰁨𰂒A
NOT ACCEPTABLE

Mar 24, 2026

Error 417 Expectation Failed is looking for projects that reject the longing for a mythic “old internet” and confront the politics of net nostalgia head-on.

Call for Projects

The internet is broken, but was it ever whole? We invite artists, curators and collectives from around the world to propose projects that take a clear-eyed view of the past, while exploring how internet histories can open pathways toward more equitable futures. This open call asks: what protocols, networks, archives and shared conditions are needed to build the internet we actually want? Respond to netstalgia with error 406 not acceptable.

  • Grants from € 1’500 to € 7’000

  • Deadline call for projects: 4 May 2026 (23:59 CEST)

  • Jury: Chia Amisola, Olia Lialina, Peter Sunde & Vladan Joler

  • Deadline for the work: 30 October 2026

What we are looking for

The aim of this call for projects is to push back against forms of netstalgia that soften structural critique and reinforce existing platform politics. We are especially interested in projects that work on the protocols, networks, archives and shared infrastructures necessary to build such internets; that ask how governance, moderation and sustainability might be addressed within calls for decentralization; that carve out spaces on restrictive platforms to extend users’ scope of action; and that mobilize migration toward already existing alternatives.

We invite artworks that critically probe inherited memories, interrogate power structures, reveal what was excluded or silenced and open up new imaginaries for networked life – not as a return, but as a reconfiguration that insists on participation, responsibility and possibility in the present.

Netstalgia Not Acceptable

We reject netstalgia as a form of crisis management for platform capitalism – repackaging nostalgia as critique while leaving data extraction, corporate control and structural inequalities untouched. When claiming the internet was better before, we have to ask: for whom? Whose histories are remembered, amplified and aestheticized – and whose are erased or marginalized?

Read the open call essay

Online exhibition

The online exhibition will take place at the end of 2026.
Deadline for the works is 30 October 2026.

Jury & Mentorship

The jury consists of Chia Amisola, Olia Lialina, Vladan Joler, Peter Sunde and Error 417 Expectation Failed.
Jury members will be available for mentoring the selected projects.

Read about the jury

Who can apply?

The application is open to artists worldwide, collectives, curators, arts initiatives, exhibition spaces, online platforms, and developers of software and hardware – basically anyone exploring the possibilities of contemporary, networked technologies as art and their significance for society.
We encourage proposals from people who are historically underrepresented in art and technology spaces.

Selection Criteria

𰁡𰀆Q

When will the jury make their decision?

The jury will meet at beginning of June, grant recipients will be informed by the middle of June 2026.

Do project recipients need to do a final report or accounting?

No, we will not ask you for final reports, receipts or financial statements.

Is it important for my project to begin and finish within the (time) frame of Error 406?

No, however, we do not want you to apply with a project that is already fully finished.

Is it okay if my project also receives funding from other sources?

Sure! For us, this is not a problem. However, please make sure that your other funding sources allow you to receive multiple grants and to exhibit your work with us.

Can I apply anonymously?

The names of the awarded projects and applicants will be published in public communication and announcements for Error 417 Expectation Failed. If you prefer to stay anonymous, please let us know via email: error417@expectation.fail.

Is it allowed to apply with more than one project idea?

In general, we are expecting one submission per person. However, you are welcome to submit an additional application as part of a collective, if that applies. Otherwise, we kindly ask that individuals limit themselves to a single proposal.

Apply Now  

Graphic design for the open call 2026 by Knoth & Renner <3

Olia Lialina

Photo: Sven Weber

Olia Lialina is among the best-known participants in the 1990s net.art scene – an early-days, network-based art pioneer. Her early work had a great impact on recognizing the Internet as a medium for artistic expression and storytelling. This century her continuous and close attention to user culture, “net.language” and vernacular web expression has made her an important voice in new media and post-digital studies.  She is cofounder and keeper of One Terabyte of Kilobyte Age archive, author of Digital Folklore (2009) and Turing Complete User (2021), professor at Merz Akademie in Stuttgart, Germany; and an animated GIF model.

https://art.teleportacia.org

Vladan Joler

Prof. Dr. Vladan Joler (1977) is an academic, researcher and artist whose work blends critical and system design, data investigations, counter-cartography, data visualization, and numerous other disciplines. He explores and visualizes different technical and social aspects of algorithmic transparency, digital labour exploitation, invisible infrastructures and many other contemporary phenomena in the intersection between technology and society.
In collaboration with Kate Crawford, he published Calculating Empires (2023) and Anatomy of an AI System (2018), two publications researching and mapping the social, labor, material and power structures that underpin modern digital technologies and AI systems.
As co-founder and director of the SHARE Foundation - one of the leading expert and activist organizations in the field of digital rights in Southeast Europe - Vladan has played an active role in organizing, researching, creating, and advocating for public policies at the national, regional, and European levels. His artistic pre-history is rooted in media activism and game hacking.

https://joler.org

Chia Amisola

Installation view of KAKAKOMPYUTER MO YAN, space 63, Manila, 2024. Courtesy of Kaloyan Kolev. 

Chia Amisola is an artist & technologist of agencies and ambiences. Working with software, games, net art, lectures, and performance, their encyclopedic, archival, and personal practice unravels the systems and narratives that condition and emerge from technology, and the intimacies and infrastructures underneath them.
They founded & direct Developh, a research & arts institution dedicated to critical and creative technologies in the Philippines, with projects including net art platform Kakakompyuter Mo Yan and networking history project Philippine Internet Archive.

https://everythingi.love

Peter Sunde

Peter Sunde Kolmisoppi is an activist, technologist and writer. He's co-founded projects like The Pirate Bay, Flattr and Njalla, all aimed at both fixing technical hurdles but also start the discourse about the way society looks at the different fields they work in. From shared ownership, finance to the right to privacy.
Peter has lately focused on writing and making art and media to raise the same discussions. From tv-series such as The Activist (nordic public broadcasting) where he travelled the world to meet controversial activists such as Edward Snowden, Paul Watson and Lars Vilks.
Peter is currently making a documentary about cryptocurrencies and writing a book about his early life in Scandinavia.

ERROR 406
𰄲𰁅𰆃S𰆆𰀀𰄖𰁨𰂒A NOT ACCEPTABLE
Selection Criteria

Relevance to the Theme: Netstalgia Not Acceptable

Projects should clearly engage with the concept of netstalgia and critically interrogate who benefits from and who is excluded by dominant internet histories and platform practices. The jury will look for critical insight, personal or political urgency. Submissions should align with the call’s objectives, addressing protocols, infrastructures, governance, visual languages, archives or ways to expand user agency on digital networks.

Conceptual Clarity and Depth

We welcome clear, well-thought-out concepts that not only relate to the theme but offer a strong critical, artistic, speculative and/or interventionist approach to confronting, resisting, or reimagining it. We also welcome artistic work on infrastructural projects.

Urgency

The jury is asked to prioritize projects that respond to contemporary socio-technical developments or personal / political urgencies – projects that are contextually responsive and culturally relevant should be favoured.

Feasibility & Process

The proposed working process should be reflective of the conceptual aims. The foundation is open to supporting open-ended projects that may not be completed by the time of the online exhibition (end of 2026). Still, we were looking for projects that make sense to show publicly at that point.

Risk Taking and Failure

The foundation welcomed high risk, process-oriented projects that embrace a certain potential to fail by exploring non-preconceived paths. Bonus points are awarded to projects that specifically engage with the theme of failure and are able to reflect on it with humour.

Adaptability to an Online Exhibition Format

Can the work exist meaningfully online? The artists will be asked to deliver a) their project, and b) corresponding terms of use to be exhibited online in a suitable format.

Additional Information: CV & Portfolio

The foundation favoures a diverse and broad representation of artistic positions, taking into account the artists’ practices and their experience / career. The jury could take CVs and additional information into consideration. CV and portfolio are intended to provide additional context to the submissions, but should not be treated as main criterion for the selection.

Scope of the Grant

The funding requested by a specific project should correspond to its assumed complexity.

Spinning footer logo on scroll
Error 417
𰁁􀅾𰅙𰁔C𰆈ATI𰅉N F𰀈𰂐𰄘𰁐D