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T𰁆𰀡𰁶 F𰀁𰅴𰀩IS𰄢
Not Acceptable
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Error 406
T𰁆𰀡𰁶 F𰀁𰅴𰀩IS𰄢
Not Acceptable

In May 2025 we launched our first call for artistic projects: instructions, scores, how-tos, interventions and practices against tech fascism.

13 Scores Against Tech Fascism: Exhibition website
visit the online exhibition  
download the exhibition add-on  

This call for resistance was about finding ways to challenge the current systems with the means available: misdirection, opting out, and pushing back. Resisting in solidarity with others and carving out spaces in which we can develop technological systems that align with collective needs rather than exploiting us.

We were impressed by the inventiveness, urgency, and insightfulness of the applications we received in response to our first open call, Error 406 [Tech Fascism] Not Acceptable. The proposals explored powerful forms of resistance, refusal, and subversion: from instructional approaches and how-tos to interventions and collective practices that push back against tech fascism. It is inspiring to see so many projects challenge existing systems in very specific and diverse contexts using strategies like misdirection, slowing down, opting out, and collective reimagination, while building toward technologies that serve shared needs rather than exploit them.

We received an overwhelming number of 430 submissions from around the world, and are happy to announce the selection of 13 projects by artists and collectives based in Austria, Brazil, France, Georgia, Germany, Mexico, Rojava, Turkey, Taiwan, the UK, and the USA. These projects, selected by our jury Hito Steyerl, Nora O’Murchú, and Sam Lavigne, will receive a total of €50,866 in support and will be featured in an online exhibition in winter 2025/26.

While we regret that we are only able to support a fraction of the many outstanding proposed projects, it is heartening to see how many artists are already actively engaging with these critical questions. We sincerely thank everyone who applied!

Selected Projects

NotToday: BitRot
868labs: 868Wearables
Signals Rising: Meshtastic
David Huerta: Deauth_ority
kunsf.xyz: V-Ball (Voiceball)
Annika Santhanam: spam_risk/
Alexey Boriskin: Starry Heavens Above You
gabe nascimento: Nunca Mais: Antifa Recipes
El Proyecto Sonidero: The Real Life Continues
Enkaryon Ang: Glitch Floods: Partisan Ballads
Rojava Center for Democratic Technologies: Green Cloud
Jiawen Uffline: Sorry, My Data Is Too Dirty For Your Model (Working Title)
permacomputing.net: Brewing Collectives: a Step-by-Step Guide to Organise a Local Permacomputing Community

Antifascism: Now. x 13 Scores Against Tech Fascism

The online exhibition 13 Scores Against Tech Fascism is part of the group show 'Antifascism: Now.', a project dedicated to contemporary antifascist cultural practice, at Lothringer 13 in Munich from 30 January until 31 July 2026.

View more impressions

Jury & Selection Criteria

Read more about the selection criteria and the jury consisting of Hito Steyerl, Nora O’Murchú, and Sam Lavigne.

Selection Critera
The Jury

Tech Fascism Not Acceptable

From surveillance systems and algorithmic decision-making to the emerging influence of AI, authoritarian technologies are not just tools — they are systems of control, exclusion, and manipulation that are deeply embedded in the very systems we interact with daily.

We must therefore ask: How does tech fascism affect us? How can we refuse, intervene in, or sabotage fascist systems? How can practices of civil disobedience be shared and brought to the mainstream? What role can art play in these acts of resistance?

Artists, curators, and collectives worldwide were invited to apply with project ideas, instructions, how-tos, interventions and practices that engage with the contemporary condition.

Read the Call for Projects

Essays

To contextualize the call's topic, the foundation commissioned two essays by cultural and media theorists Ana Teixeira Pinto and tante.

Essay: «Oh Man!» by Ana Teixera Pinto
Essay: «Refusing Tech Fascism» by tante

NotToday: 𰀓𰂇𰆆𰅲𰅁𰆃

NotToday: BitRot

BitRot is a media hacking project designed to make the descent to the far-right pipeline a little bit weird through Trojan tactics both in physical and virtual formats.

Visit project on exhibition website  

Selected for its tactical and technically advanced intervention to undermine online radicalisation through the far-right.

— Jury Statement

NotToday is a Mexican-Colombian collective based in Vienna, founded by artists Sara Martinez and Nicolás Henao-Bonnet. Their work targets far-right radicalization pipelines using experimental media tactics that blend fiction, sabotage, and symbolic distortion to experiment with disrupting ideological authority online.

Based in: Vienna, Austria

https://instagram.com/identikitten/
https://instagram.com/_el_nahual/

868LABS:
868𰈅𰁂𰀀𰅰𰀆𰀓𰄒𰁅𰅸

868Labs: 868Wearables

868wearables is a project dedicated to developing custom, open-source communication hardware for decentralized, peer-to-peer networks. At its core is a PCB designed and built by the collective, enabling LoRa-based mesh networking over the unlicensed 868 MHz band. These wearable devices enable encrypted, off-grid communication — without relying on the internet, mobile networks, or centralized infrastructure.

As such, 868wearables is a tactical response to rising censorship, surveillance, and infrastructure shutdowns across authoritarian regimes and protest zones. As both tool and statement, it supports community resilience, autonomous organizing, and resistance through artistic intervention and DIY technological sovereignty.

Visit project on exhibition website  

Selected for its well-developed proposal for off-grid, encrypted communication with practical mesh network in wearable designs.

— Jury Statement

868labs is a Berlin-based collective developing tactical tools for decentralized, off-grid communication. Initiated by new media artists Helena Nikonole, Katerina Kataeva, and collaborators remaining anonymous, the group’s first prototype—868Wearables—is a peer-to-peer, open-source communication device enabling encrypted, long-range messaging over the 868 MHz radio band. Designed to be assembled, adapted, and shared, their work challenges commercial infrastructures and invites users to build their own resilient alternatives.

Based in: Berlin, Germany

https://868labs.net

Signals Rising:
𰄡E𰅴𰂂𰆅𰀀𰆀T𰂐𰀦

Signals Rising: Meshtastic

Signals Rising have adopted and are actively supporting the deployment Meshtastic, a community-led and open-source mesh-networking project which ideally suits the needs of these communities. Meshtastic works over LoRA, a long-range digital radio technology that operates in the ISM (Industrial, Scientific and Medical) bands which are license-free across most of the world, similarly to WiFi and Bluetooth but with much longer range.

Meshtastic builds on LoRA and automatically creates networks where every device is a node that can automatically relay messages to one another. Users of these networks gain the ability to communicate with crisis-resilient technology that doesn't rely on a central transmitter. It is ideal for sharing text messages and GPS locations over a wide area, even in areas with no cell service or Wi-Fi.

Signals Rising designs and builds ultra low cost Meshtastic nodes in bulk and distributes them, along with training material, online and in-person education, and supporting hardware to groups and individuals who otherwise may not be able to access them. We've deployed nodes throughout major urban areas, reservations and indigenous communities, areas of wilderness, and areas at high risk of natural disasters, such as the Gulf Coast.

Visit project on exhibition website  

Selected for its low tech approach to off-grid communication.

— Jury Statement

Signals Rising provides education and support to the public around radio and other communication technologies. Signals Rising provides funding for projects to facilitate growth of the amateur radio community; as well as provides hardware, trainings and educational resources to underserved individuals and communities to receive radio licensing and develop their communications networks. The non-profit also sponsors research projects to expand the field of amateur radio communication.

Based in: US, UK

https://signalsrising.org

David Huerta:
𰀵𰁗𰀀𰆖𰆅𰁷_𰄶𰅰𰂇𰆃𰈖

David Huerta: Deauth_ority

Deauth_ority is a rocket-propelled device designed to run a Wi-Fi deauthentication attack on the network used by the US White House. Although it won't launch, it has both the kinetic and digital means to carry out its intended purpose, serving as a provocation to the state and a demonstration means of resisting fascist regimes.

Visit project on exhibition website  

Noted for its provocative visual language and bold speculative approach as well as potential broader application in disrupting WiFi networks.

— Jury Statement

David Huerta creates art confronting surveillance and power. He also writes about cybersecurity sometimes.

Based in: New York City, US

https://tenforward.social/@huertanix

KUNSF.XYZ:
𰈂-𰀔𰀃𰄑𰄖 (𰈁𰅂𰂇𰀩𰁕 𰀑𰀀𰄓𰄑)

kunsf.xyz: V-Ball

V-Ball (Voiceball) is a DIY throwable act of defiance housed in a tennis ball, designed to play audio in a continuous loop. It’s a low-tech, open-source, unconnected object amplifying muted voices against censorship, surveillance and oppression.

This project is shared as an open-source artwork and educational resource in the public domain. It is intended to explore the relationship between technology, sound, and resistance as a critical and artistic statement. Any use, modification, or redistribution of this design is at the sole responsibility of the user. Many thanks to Kara Bahar for the inspiration.

Visit project on exhibition website  

Stands out as a low-cost intervention with potential applications in protests.

— Jury Statement

kunsf.xyz builds sonic worlds through DIY technologies, immersive environments, and sculptural interfaces that explore the interactions between bodies, spaces, and machines. By blending sound objects, performance, and poetic engagements with technology, their work delves into the intimacy of human-technology relationships and the embodiment of these connections.

Based in: Istanbul / Berlin

https://kunsf.xyz
https://instagram.com/kunsf.xyz
https://youtube.com/@kunsf

Annika Santhanam:
𰅴𰅗𰀃𰄡_𰅰𰂇𰅵𰄄/

Annika Santhanam: spam_risk/

Titled after the familiar warning on everyone’s phone screen, spamrisk/ is an interventional guide for those looking to do more than just ignore spam calls. The method was created as a means of questioning the relationship between data brokering, state violence, and perceptions of the self and the other. spamrisk/ prompts everyday citizens to leverage the cycle of inexorably relinquishing personal data to target one of the biggest abusers of this data: The United States Department of Homeland Security. spam_risk/ exists as a printed and digital framework for collectively forwarding unwanted spam calls to the DHS/ICE tip line, aiming to overwhelm the line with the consequences of misusing data to serve the absurd persecution of neighbors across the USA.

Visit project on exhibition website  

The project offers a smart and direct intervention by rerouting phone calls to those who need to receive them most.

— Jury Statement

Annika Santhanam is a designer, director, and technologist. Her practice is rooted in humor and curiosity, tackling complex and grim circumstances with carefully designed wayward action, inspired by the constant whiplash of technological advancement. She has exhibited works across the world from the US to Cuba, Germany, and China, and participated in projects with Pixelmouth, The Net Gala, the Ludwig Foundation, Hackers on Planet Earth, and Sonic Liberation Devices.

Based in: Brooklyn, New York, US

https://annikas.xyz
https://instagram.com/icantevendothat/

Alexey Boriskin:
𰅴𰆃𰀁𰅦𰅧𰈔 𰂄𰁗𰀅𰈁𰁐𰄣𰅸
𰀃𰀖𰅉𰈂𰁅 ¥𰅆𰆙

Alexey Boriskin: Starry heavens above you

Starry Heavens Above You documents a series of actual job interviews conducted by the artist at technology companies operating in ethically contested domains: cryptocurrency trading, high-frequency trading, and cybersecurity firms with ties to Russian state corporations. During these otherwise standard recruitment conversations about qualifications and compensation, the artist introduced questions about Kant's categorical imperative, specifically whether one should act only according to principles that could become universal laws, and how such moral frameworks might apply to the work these companies perform.

Visit project on exhibition website  

A philosophical exercise and reproducible practical intervention.

— Jury Statement

Alexey Boriskin is an artist/software developer working across video, code, installation and print. Insider experience in large corporate codebases underpins his inquiry into the ethics of algorithmic infrastructures that govern labour, censorship and power. His works have been shown at the Moscow Museum of Modern Art, the Ural Industrial Biennial and the Multimedia Art Museum Moscow. He left Russia after the 2022 full-scale invasion of Ukraine and now lives in exile.

Based in: Tbilisi, Georgia

https://alexeyboriskin.com 

Gabe Nascimento:
𰄣𰆔𰄲𰀠𰀃 𰄡𰀁𰂐𰅶:
A𰄣𰆆𰂐𰁠𰀃 𰅦𰁐𰀦𰂐𰅗𰁁𰅴

gabe nascimento: Nunca Mais: Antifa Recipes

Nunca Mais: Antifa Recipes is a collaborative, dialogue-oriented work that reflects on Brazilian history and proposes strategies to counter today's techno-fasicst and anti democratic movements. During the military dictatorship (1964 - 1985) — which persecuted and murdered political opponents, as well as the poor, blacks, indigenous people, LGBTQIA+ and other minorities — censorship was made explicit by exchanging censored news items in papers with recipes.

The histories of Brazilians and Brazil directly influence the way techno-fascism affects us today: the destruction of democracy and collectivities, combined with the hyper-individualization of experiences, are accompanied by the exploitation of our natural resources. In Brazil, algorithms put our society and lives at risk and meet the dormant power of the military, which was never punished for its crimes from 1964 to 1988.

The aim of the project was to mediate a discussion with the local population, in my neighborhood, among neighbors, at college, at friends' workplaces, based on Brazilian history. These discussions led to the creation of a series of recipes that represent collective strategies to confront and sabotage the hegemonic power of big tech and the political power of the military. Each recipe was built from shared suggestions, conversations, and interventions. Some require large infrastructure, others are homemade and easily replicable. Thus, the aim is to sow imaginaries that have change — based on diversity and polyphony — as their goal.

Visit project on exhibition website  

Chosen for its inventive use of recipes as hidden resistance to techno-fascism in Brazil, emphasising community involvement and urgency.

— Jury Statement

gabe nascimento is a non-binary historian. He has a history degree from the Federal University of São Paulo and is currently a master's student in Federal University of Minas Gerais. Both in his historical research and artistic practices, gabe investigates technologies, particularly computers and digital practices, in multiple aspects such as social, cultural, and political. He debates the tech-mythology for the outskirts that are only true for a small group of people.

Based in: Belo Horizonte, Brazil

https://instagram.com/gabirth

EL PROYECTO SONIDERO:
𰆐𰂁𰁇 𰅰𰁐𰀆𰄑 𰄖𰂇𰁠𰁁
𰀡𰄶𰄣𰆃𰂐𰄰𰆔𰁖𰅵

ArchivoEPS, Baile Tepito by Livia Radwanski

The project calls upon dance clubs from the sonidero world and the entire world to stage and launch this vital, brilliant display of bodies in defense of the real world and good living.

"Pase lo que pase, la vida continúa" is a great son montuno by the group Doble R. It is a tropical rhythm that, in the sonidero scene, is danced en montón, meaning, in collective choreographies.

We want to disseminate these steps, infect the rhythms, and viralize the gestures beyond Mexico, wherever and whenever it is necessary to bring the real world to the forefront to feel and live for real. The project calls upon dance clubs from the sonidero world and the entire world to stage and launch this vital, brilliant display of bodies in defense of the real world and good living.

Visit project on exhibition website  

Selected for its captivating approach to spread collective action locally without digital platform dependency.

— Jury Statement

El Proyecto Sonidero is dedicated to recognizing the power of the sonidero movement since 2008. This culture serves as a transnational and transcultural platform for expression, innovation, participation, and distribution for a large segment of Mexican society, extending through migration to the United States and resonating throughout Latin America. This is the realm we explore alongside the sonidero community, activist collectives, and academic, cultural and artistic spheres.

Based in: Mexico City, Mexico

https://instagram.com/el_proyecto_sonidero

Enkaryon Ang:
𰁱𰄖𰂅𰆆𰀨𰂂 𰁠𰄒𰅀𰅉𰀳𰅵:
𰅘𰀃𰅰𰆐𰂐𰆀𰀀𰄣 𰀔𰀃𰄒𰄔𰀁𰀵𰅹

Enkaryon Ang: Glitch Floods: Partisan Ballads

Glitch Floods: Partisan Ballads is an interactive experimental platform that mobilizes Taiwanese Hokkien’s eight-tone system as a strategy of resistance against AI surveillance and linguistic standardization. As a tonal language, Taiwanese Hokkien encodes meaning through pitch variation; words change meaning depending on tone. While tonal systems vary across languages, Taiwanese Hokkien is among the most complex, using up to seven or eight distinct tones.

The project responds critically to Meta’s 2022 Taiwanese translation system, which does not translate Taiwanese Hokkien directly into other languages. Instead, it routes Taiwanese through Mandarin Chinese as an intermediary, structurally positioning Taiwanese as a subordinate variant rather than an autonomous language. This process flattens tonal complexity, idiomatic expression, and cultural nuance, reproducing historical power dynamics from Taiwan’s authoritarian period, when Mandarin was imposed as the official language and local languages were systematically suppressed. What was once state-enforced linguistic control is now re-enacted algorithmically.

Against this backdrop, the project reimagines Flood Songs (洪水歌)—coded oral folk ballads circulated during Taiwan’s authoritarian era—as a contemporary mode of algorithmic resistance. On the surface, Flood Songs appeared to describe natural disasters, but they covertly encoded political dissent, warnings, and collective memory to evade censorship. Unlike regulated written verse, which relies on only two tone categories (level and oblique), Flood Songs depended on the flexible manipulation of Taiwanese Hokkien’s full tonal range, allowing singers to embed layered meanings intelligible only to those sharing cultural and linguistic knowledge.

The website invites users to manipulate tones in real time, simulating climate-induced language change and tonal erosion. Through this interaction, users generate “glitched” speech that remains comprehensible to human listeners yet becomes unparseable to AI speech recognition systems. This deliberate mismatch exposes the limits of machine listening and proposes tonal instability as a form of digital resistance.

Resistance never disappears—it only continuously transforms:
Under authoritarian surveillance: encoded folk songs
Under algorithmic surveillance: glitched tones

Visit project on exhibition website  

 A technically ambitious project that accentuates the politics of digital colonisation and linguistic erasure.​​​​​​​

— Jury Statement

Enkaryon Ang is a poet and interdisciplinary artist whose work confronts tech fascism through traditional resistance forms. Published works include Rorschach Inkblot and A Galaxy of Howness. Former UNESCO Prague City of Literature resident writer and AICA critic, he investigates Sinitic writing systems, Southeast Asian scripts, and colonial structures through ecological and geopolitical lenses.

Based in: Taipei, Taiwan

https://instagram.com/enkaryon/

ROJAVA CENTER FOR DEMOCRATIC TECHNOLOGIES:
𰁨𰅰𰁅𰁉𰄣 𰀡𰄓𰅈𰆔𰀱

Rojava Center for Democratic Technologies: Mij (The Fog)

Mij (The Fog) is a mobile defense system against Semi Active Laser (SAL) missiles, such as the Turkish made MAM-C, developed for use on moving vehicles. Drawing from the principles of the Rojava Revolution, it combines commonly accessible technology with myth and folklore.

Visit project on exhibition website  

Recognized for breaking the narrative of insuperable technologies within a complex regional context.

— Jury Statement

The Rojava Center for Democratic Technologies is formed by a fluid group of artists and engineers working in the Autonomous Administration of North and East Syria (AANES). It was initiated by artist and cultural critic Dani Ploeger in 2022.

Combining art and engineering, and focussing on both 'intermediate technologies' and 'mythological knowledge', the center investigates and develops visions and practices for a postcolonial technological culture that builds on the principles of democratic confederalism, which is is based on decentralized, stateless governance, gender equality, cooperative labour and ecology.

Revolution Refridge – a prototype of a Kurdo-futuristic refrigerator for a decentralized technoculture – received a Nomination for the STARTS Prize 2024, the grand prize of the European Commission for science, technology and art.

Based in: Qamishlo, Autonomous Administration Of North And East Syria

JIAWEN UFFLINE:
𰅶𰅁𰅲𰅰𰈠, 𰄡𰈠 𰀵𰀁𰆐𰀅
𰂐𰅴 𰆅𰅃𰅁 𰀳𰂒𰅧𰆅𰈘
𰁠𰅈𰅩 𰈙𰄶𰆔𰅦 𰄡𰅆𰀲𰁒l

Jiawen Uffline: sorry, my data is too dirty for your model (working title)

sorri, my data is too dirty for your model reverses the cleaning heuristics used for large-scale web-crawled datasets to instructions for making our data too dirty to be trained, as a bottom-up opt-out in an age where robots.txt is shamelessly ignored.


Datasets for pre-training large models have been expanded to the volume of (partial) internet, with the idea of "scale averages out noise", these datasets scrape whatever is available on the internet then “cleaned” with a human- not-in-the-loop, cheaper-than-cheap-labor method: heuristic filtering... Heuristics in this context are basically a set of rules came up by some software engineers with their imagination and estimation that are “good enough” to remove “dirty data” of their perspective, not guaranteed to be optimal, perfect, or rational...

If we know, partially, what is considered as dirty, doesn’t it mean that we can make our data “dirty” and get it filtered out by following their rigid estimation� Can we opt out from being trained by becoming unqualified� sorri my data is too dirty for your model came up with a set of anti-heuristic heuristics based on 23 datasets to have our texts and images mingle and stay close to "dirty data", purity is never an option

Visit project on exhibition website  

Picked for its approach of subtle sabotage through data manipulation that's hard for systems to block.

— Jury Statement

Jiawen Uffline's research focuses on technology as memory and desire, with contaminated history but appearing pure, sterilized, decontextualized and dehistoricized, operating through reducing rather than relating. Jiawen looks into the (counter)history, materiality, poetics and politics of technology. She sees leak as a definite part of the digital reality, and leaking as a method to survive.

Based in: Bremen, Germany

https://worrymetaphor.com
https://tldr.nettime.org/@jwn

Permacomputing.NET:
𰀑𰅰𰁉𰈅𰂐𰄣𰁱 𰀦𰅆𰄓𰄔𰁖𰀢𰆅𰂐𰈁𰁗𰅹:
A step-by step guide
to organise a local
permacomputing
Community

Permacomputing logo

Permacomputing is a concept focused on the injustices, harm and climate impact of the ICT industry. Our score is a fermentation-inspired circular guide to inspire people to start their own permacomputing community of practice. We have interviewed existing collectives and communities in our network to compile  suggestions, activities and organisational ideas that can help create momentum. Think Repair Cafés meet allotment gardening meet CryptoParties meet group therapies meet community library meet hackspaces.

If you are wishing for this kind of activity in your region or online, why not read this guide and get started. And get in touch with the wider global permacomputing community for support. Techno-fascists can f\\k off, a better digital world is brewing!

Visit project on exhibition website  

Appreciated for its low-threshold knowledge-sharing approach directed at self-organised communities worldwide to maintain low-tech infrastructures.

— Jury Statement

Permacomputing is both a concept and a community of practice focused on the injustices, harm and climate impact of computation. We develop design principles and facilitate IRL and online exchanges to problematise the techno-optimist, techno-solutionist and techno-fascist mess we're in and how to organise a collective response.

Based in: international collective spread across North-America, Europe and Tasmania, with several satellite groups and communities beyond.

https://permacomputing.net

selection criteria ERROR 406
T𰁆𰀡𰁶 F𰀁𰅴𰀩IS𰄢 not acceptable

Relevance to the Theme: Refusing Tech Fascism

The projects should clearly engage with the concept of tech fascism — surveillance, algorithmic control, data extraction, platform power, etc. The jury is asked to look for critical insight and personal or political urgency tied to this theme.

Score

The applicant should demonstrate an understanding of the realization of the projects as a score, how to, or instruction. It should be made clear that the project opens up spaces for action (these can be metaphorical and narrative as well, for example).

Conceptual Clarity and Depth

We welcomed clear, well-thought-out concepts that not only relate to the theme but offer a strong critical, artistic, speculative and/or interventionist approach to confronting, resisting, or reimagining it. We also welcomed artistic work on infrastructural projects.

Urgency

The jury was asked to prioritize projects that respond to contemporary socio-technical developments or personal / political urgencies – projects that are contextually responsive and culturally relevant should be favoured.

Feasibility & Process

The proposed working process should be reflective of the conceptual aims. The foundation was open to supporting open-ended projects that may not be completed by the time of the online exhibition (end of 2025). Still, we were looking for projects that make sense to show publicly at that point.

Risk Taking and Failure

The foundation welcomed high risk, process-oriented projects that embrace a certain potential to fail by exploring non-preconceived paths. Bonus points were awarded to projects that specifically engage with the theme of failure and are able to reflect on it with humour.

Adaptability to an Online Exhibition Format

Can the work exist meaningfully online? The artists will be asked to deliver a) a score, and b) a realization of the score within the artists’ practice that can be exhibited online in a suitable format.

Additional Information: CV & Portfolio

The foundation favoured a diverse and broad representation of artistic positions, taking into account the artists’ practices and their experience / career. The jury could to take CVs and additional information into consideration. CV and portfolio were intended to provide additional context to the submissions, but should not be treated as main criterion for the selection.

Scope of the Grant

The funding requested by a specific project should correspond to its assumed complexity.

𰆆𰂃𰁈 J𰆑R𰈘

𰁸IT𰅁 ST𰁗Y𰁒RL

Photo: Leon Kahane

Hito Steyerl is a filmmaker and author.

𰄲𰅆𰅧𰀀 O' 𰄡U𰅨𰀩H𰆓

Photo: Nora O Murchú

Nora O’ Murchú is a curator and researcher whose work explores how digital infrastructures—software, algorithms, and networks—reshape contemporary culture and politics. Drawing on queer-feminist and postcapitalist theory, her projects examine how technology can reinforce extractivist and authoritarian systems, while also revealing cracks for collective action and dissent.

She has curated exhibitions, residencies, and public programmes at Akademie Schloss Solitude, LABoral, and the Seoul Museum of Art, and served as Artistic Director of transmediale—Europe’s leading festival for art and digital culture—from 2020 to 2024. Her practice questions the boundaries between art and technology, asking how we might reclaim space for agency and collaboration amid the accelerating reconfigurations of techno-social life and the illusions of techno-solutionism. She currently serves as a Professor in the Department of Computer Science and Information Systems at the University of Limerick in Ireland.

https://www.noraomurchu.com

S𰀀M 𰄓𰀉VI𰁩𰄨E

Sam Lavigne, Training Poses, 2018

Sam Lavigne is an artist and educator whose work deals with data, surveillance, cops, natural language processing, and automation. He is a Creative Capital grantee, recipient of the Pioneer Works Working Artist Fellowship, and the Brown Institute’s Magic Grant. He is currently an Assistant Professor of Synthetic Media and Algorithmic Justice at the Parsons School of Design.

https://lav.io

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Error 417
𰁁􀅾𰅙𰁔C𰆈ATI𰅉N F𰀈𰂐𰄘𰁐D