Error 406
T𰁆𰀡𰁶 F𰀁𰅴𰀩IS𰄢
Not Acceptable
Toggle navigation
  • Home
  • News
  • Error 406
  • Error 415
  • Collaborators
  • Essays
  • Exhibition now live
Logo

Error 406
T𰁆𰀡𰁶 F𰀁𰅴𰀩IS𰄢
Not Acceptable

Selected Projects

Jul 11, 2025

13 projects were selected through the open call Error 406 [Tech Fascism] Not Acceptable. The projects explore very immediate, poetic, and humorous forms of resistance, refusal, and subversion that push back against tech fascism.

We were impressed by the inventiveness, urgency, and insightfulness of the applications we received in response to our first open call, Error 406 [Tech Fascism] Not Acceptable. The proposals explored powerful forms of resistance, refusal, and subversion: from instructional approaches and how-tos to interventions and collective practices that push back against tech fascism. It is inspiring to see so many projects challenge existing systems in very specific and diverse contexts using strategies like misdirection, slowing down, opting out, and collective reimagination, while building toward technologies that serve shared needs rather than exploit them.

While we regret that we are only able to support a fraction of the many outstanding proposed projects, it is heartening to see how many artists are already actively engaging with these critical questions. We sincerely thank everyone who applied!

Selected Projects

𰄥OT𰆃𰅆𰀵A𰈔 — BitRot
868𰄑A𰀖𰅵 — 868wearables
𰅸𰂆𰁩NA𰄗𰅶 R𰂒𰆀𰂐𰄣G — MESHTASTIC
𰀱𰀃V𰂇𰀲 𰁹U𰁅𰅩T𰀀 — Deauth_ority
𰄁U𰄣𰅶𰁠.𰈐𰈙𰈥 — V-BAll (voice ball)
AN𰄲𰂅𰄂𰀀 𰅵𰀅𰄣T𰁷𰀃𰄲A𰄡 — spam_risk/
A𰄒𰁖𰈒𰁅Y 𰀓𰅂𰅧𰂔S𰄄𰂐N — STARRY HEAVENS ABOVE YOU
𰁨A𰀓𰁅 𰄣𰀅𰅸𰀨𰂆M𰁉𰄥𰆐O — NUNCA MAIS: Antifa recipes
E𰄓 𰅘𰅧O𰈔𰁅𰀩T𰅂 𰅶𰄴𰄣𰂐𰀲E𰅲O — THE REAL LIFE CONTINUES
𰁖𰄨𰄈A𰅦𰂉ON 𰀀𰄣𰁩 — GLITCH FLOODS: PARTISAN BALLADS

Linked collaborators

  • NotToday
  • 868labs
  • Signals Rising
  • Annika Santhanam
  • David Huerta
  • kunsf.xyz
  • Alexey Boriskin
  • gabe nascimento
  • El Proyecto Sonidero
  • Enkaryon Ang
  • Rojava Center for Democratic Technologies
  • Jiawen Uffline
  • Permacomputing.net
868labs: 868wearables

𰄥OT𰆃𰅆𰀵A𰈔
bitrot

NotToday: BitRot

BitRot is a media hacking project designed to make the descent to the far-right pipeline a little bit weird through Trojan tactics both in physical and virtual formats.

Visit project on exhibition website  

Selected for its tactical and technically advanced intervention to undermine online radicalisation through the far-right.

— Jury Statement

NotToday

NotToday is a Mexican-Colombian artistic think-tank created by Sara Martinez and Nicolás Henao-Bonnet. Their work involves research of the far-right radicalization infrastructures and deploys experimental media tactics that blend fiction, sabotage, and symbolic distortion to play with ways of disrupting ideological authority online. Their collective is currently based in Vienna.

instagram.com/identikitten instagram.com/_el_nahual 

868𰄑A𰀖𰅵
868Wearables

868Labs: 868Wearables

868wearables is a project dedicated to developing custom, open-source communication hardware for decentralized, peer-to-peer networks. At its core is a PCB designed and built by the collective, enabling LoRa-based mesh networking over the unlicensed 868 MHz band. These wearable devices enable encrypted, off-grid communication — without relying on the internet, mobile networks, or centralized infrastructure.

As such, 868wearables is a tactical response to rising censorship, surveillance, and infrastructure shutdowns across authoritarian regimes and protest zones. As both tool and statement, it supports community resilience, autonomous organizing, and resistance through artistic intervention and DIY technological sovereignty.

Visit project on exhibition website  

Selected for its well-developed proposal for off-grid, encrypted communication with practical mesh network in wearable designs.

— Jury Statement

868labs

868labs is a Berlin-based collective developing tactical tools for decentralized, off-grid communication. Initiated by new media artists Helena Nikonole, Katerina Kataeva, and collaborators remaining anonymous, 868labs group’s first prototype—868Wearables—is a peer-to-peer, open-source communication device enabling encrypted, long-range messaging over the 868 MHz radio band. Designed to be assembled, adapted, and shared, their work challenges commercial infrastructures and invites users to build their own resilient alternatives.

https://868labs.net 

𰅸𰂆𰁩NA𰄗𰅶 R𰂒𰆀𰂐𰄣G
MESHTASTIC

Signals Rising: Meshtastic

Signals Rising have adopted and are actively supporting the deployment Meshtastic, a community-led and open-source mesh-networking project which ideally suits the needs of these communities. Meshtastic works over LoRA, a long-range digital radio technology that operates in the ISM (Industrial, Scientific and Medical) bands which are license-free across most of the world, similarly to WiFi and Bluetooth but with much longer range.

Meshtastic builds on LoRA and automatically creates networks where every device is a node that can automatically relay messages to one another. Users of these networks gain the ability to communicate with crisis-resilient technology that doesn't rely on a central transmitter. It is ideal for sharing text messages and GPS locations over a wide area, even in areas with no cell service or Wi-Fi.

Signals Rising designs and builds ultra low cost Meshtastic nodes in bulk and distributes them, along with training material, online and in-person education, and supporting hardware to groups and individuals who otherwise may not be able to access them. We've deployed nodes throughout major urban areas, reservations and indigenous communities, areas of wilderness, and areas at high risk of natural disasters, such as the Gulf Coast.

Visit project on exhibition website  

Selected for its low tech approach to off-grid communication.

— Jury Statement

Signals Rising

Signals Rising is a primarily US-based NGO founded to offer free radio hardware and training to marginalized groups and in-particular communities preparing for, or responding to, crises or disasters. Signals Rising provides education and support to the public around radio and other communication technologies. Their training participants have included Black and Brown social justice activists in urban settings, Indigenous land defenders in rural areas, and queer femmes leading mutual aid projects along the coast.

Both professional and amateur radio communities generally cater to an older, white, male crowd who often create barriers to accessing and practicing skills. Signals Rising prioritize getting the power of communication back into the hands of QT2SBIPOC community members mobilizing on the ground. By fostering a culture of preparedness and mutual aid, we can collectively be resilient to climate disasters and other human-made threats.

signalsrising.org 

𰀱𰀃V𰂇𰀲 𰁹U𰁅𰅩T𰀀
Deauth_ority

David Huerta: Deauth_ority

Deauth_ority is a rocket-propelled device designed to run a Wi-Fi deauthentication attack on the network used by the US White House. Although it won't launch, it has both the kinetic and digital means to carry out its intended purpose, serving as a provocation to the state and a demonstration means of resisting fascist regimes.

Visit project on exhibition website  

Noted for its provocative visual language and bold speculative approach as well as potential broader application in disrupting WiFi networks.

— Jury Statement

David Huerta

David Huerta creates art confronting surveillance and power. He also writes about cybersecurity sometimes.

tenforward.social/@huertanix 

𰄁U𰄣𰅶𰁠.𰈐𰈙𰈥
V-BAll (voice ball)

kunsf.xyz: V-Ball

V-Ball (Voiceball) is a DIY throwable act of defiance housed in a tennis ball, designed to play audio in a continuous loop. It’s a low-tech, open-source, unconnected object amplifying muted voices against censorship, surveillance and oppression.

This project is shared as an open-source artwork and educational resource in the public domain. It is intended to explore the relationship between technology, sound, and resistance as a critical and artistic statement. Any use, modification, or redistribution of this design is at the sole responsibility of the user. Many thanks to Kara Bahar for the inspiration.

Visit project on exhibition website  

Stands out as a low-cost intervention with potential applications in protests.

— Jury Statement

kunsf.xyz

kunsf.xyz builds sonic worlds through DIY technologies, immersive environments, and sculptural interfaces that explore the interactions between bodies, spaces, and machines. By blending sound objects, performance, and poetic engagements with technology, their work delves into the intimacy of human-technology relationships and the embodiment of these connections.
https://instagram.com/kunsf.xyz
https://youtube.com/@kunsf

kunsf.xyz 

AN𰄲𰂅𰄂𰀀 𰅵𰀅𰄣T𰁷𰀃𰄲A𰄡
spam_risk/

Annika Santhanam: spam_risk/

Titled after the familiar warning on everyone’s phone screen, spamrisk/ is an interventional guide for those looking to do more than just ignore spam calls. The method was created as a means of questioning the relationship between data brokering, state violence, and perceptions of the self and the other. spamrisk/ prompts everyday citizens to leverage the cycle of inexorably relinquishing personal data to target one of the biggest abusers of this data: The United States Department of Homeland Security. spam_risk/ exists as a printed and digital framework for collectively forwarding unwanted spam calls to the DHS/ICE tip line, aiming to overwhelm the line with the consequences of misusing data to serve the absurd persecution of neighbors across the USA.

Visit project on exhibition website  

The project offers a smart and direct intervention by rerouting phone calls to those who need to receive them most.

— Jury Statement

Annika Santhanam

Annika Santhanam is a designer, director, and technologist. Her practice is rooted in humor and curiosity. Tackling complex and grim circumstances with carefully designed wayward action, inspired by the constant whiplash of technological advancement. She has exhibited works across the world from the US to Cuba, Germany, and China, and participated in projects with Pixelmouth, The Net Gala, the Ludwig Foundation, Hackers on Planet Earth, and Sonic Liberation Devices.

https://instagram.com/icantevendothat/

annikas.xyz 

A𰄒𰁖𰈒𰁅Y 𰀓𰅂𰅧𰂔S𰄄𰂐N
STARRY HEAVENS ABOVE YOU

Alexey Boriskin: Starry heavens above you

Starry Heavens Above You documents a series of actual job interviews conducted by the artist at technology companies operating in ethically contested domains: cryptocurrency trading, high-frequency trading, and cybersecurity firms with ties to Russian state corporations. During these otherwise standard recruitment conversations about qualifications and compensation, the artist introduced questions about Kant's categorical imperative, specifically whether one should act only according to principles that could become universal laws, and how such moral frameworks might apply to the work these companies perform.

Visit project on exhibition website  

A philosophical exercise and reproducible practical intervention.

— Jury Statement

Alexey Boriskin

Alexey Boriskin is an artist/software developer working across video, code, installation and print. Insider experience in large corporate codebases underpins his inquiry into the ethics of algorithmic infrastructures that govern labour, censorship and power. His works have been shown at the Moscow Museum of Modern Art, the Ural Industrial Biennial and the Multimedia Art Museum Moscow. He left Russia after the 2022 full-scale invasion of Ukraine and now lives in exile.

Based in: Tbilisi, Georgia

alexeyboriskin.com 

𰁨A𰀓𰁅 𰄣𰀅𰅸𰀨𰂆M𰁉𰄥𰆐O
NUNCA MAIS: Antifa recipes

gabe nascimento: Nunca Mais: Antifa Recipes

Nunca Mais: Antifa Recipes is a collaborative, dialogue-oriented work that reflects on Brazilian history and proposes strategies to counter today's techno-fasicst and anti democratic movements. During the military dictatorship (1964 - 1985) — which persecuted and murdered political opponents, as well as the poor, blacks, indigenous people, LGBTQIA+ and other minorities — censorship was made explicit by exchanging censored news items in papers with recipes.

The histories of Brazilians and Brazil directly influence the way techno-fascism affects us today: the destruction of democracy and collectivities, combined with the hyper-individualization of experiences, are accompanied by the exploitation of our natural resources. In Brazil, algorithms put our society and lives at risk and meet the dormant power of the military, which was never punished for its crimes from 1964 to 1988.

The aim of the project was to mediate a discussion with the local population, in my neighborhood, among neighbors, at college, at friends' workplaces, based on Brazilian history. These discussions led to the creation of a series of recipes that represent collective strategies to confront and sabotage the hegemonic power of big tech and the political power of the military. Each recipe was built from shared suggestions, conversations, and interventions. Some require large infrastructure, others are homemade and easily replicable. Thus, the aim is to sow imaginaries that have change — based on diversity and polyphony — as their goal.

Visit project on exhibition website  

Chosen for its inventive use of recipes as hidden resistance to techno-fascism in Brazil, emphasising community involvement and urgency.

— Jury Statement

gabe nascimento

gabe nascimento is a non-binary historian who investigates technologies. He hold a degree in History from the Federal University of São Paulo and is currently a master's student at the Federal University of Minas Gerais. In both his historical research and artistic practice, gabe investigates technologies, particularly computers and digital practices, in their social, cultural, and political dimensions. He challenges tech mythologies that claim universality but in reality apply only to a small group of people, especially when imposed on the outskirts.

Based in: Belo Horizonte, Brazil

instagram.com/gabirth 

E𰄓 𰅘𰅧O𰈔𰁅𰀩T𰅂 𰅶𰄴𰄣𰂐𰀲E𰅲O
THE REAL LIFE CONTINUES

ArchivoEPS, Baile Tepito by Livia Radwanski

The project calls upon dance clubs from the sonidero world and the entire world to stage and launch this vital, brilliant display of bodies in defense of the real world and good living.

"Pase lo que pase, la vida continúa" is a great son montuno by the group Doble R. It is a tropical rhythm that, in the sonidero scene, is danced en montón, meaning, in collective choreographies.

We want to disseminate these steps, infect the rhythms, and viralize the gestures beyond Mexico, wherever and whenever it is necessary to bring the real world to the forefront to feel and live for real. The project calls upon dance clubs from the sonidero world and the entire world to stage and launch this vital, brilliant display of bodies in defense of the real world and good living.

Visit project on exhibition website  

Selected for its captivating approach to spread collective action locally without digital platform dependency.

— Jury Statement

El Proyecto Sonidero

El Proyecto Sonidero is dedicated to recognizing the power of the sonidero movement since 2008. This culture serves as a transnational and transcultural platform for expression, innovation, participation, and distribution for a large segment of Mexican society, extending through migration to the United States and resonating throughout Latin America. This is the realm we explore alongside the sonidero community, activist collectives, and academic, cultural and artistic spheres.

Based in: Mexico City, Mexico

instagram.com/el_proyecto_sonidero 

𰁖𰄨𰄈A𰅦𰂉ON 𰀀𰄣𰁩
GLITCH FLOODS: PARTISAN BALLADS

Enkaryon Ang: Glitch Floods: Partisan Ballads

Glitch Floods: Partisan Ballads is an interactive experimental platform that mobilizes Taiwanese Hokkien’s eight-tone system as a strategy of resistance against AI surveillance and linguistic standardization. As a tonal language, Taiwanese Hokkien encodes meaning through pitch variation; words change meaning depending on tone. While tonal systems vary across languages, Taiwanese Hokkien is among the most complex, using up to seven or eight distinct tones.

The project responds critically to Meta’s 2022 Taiwanese translation system, which does not translate Taiwanese Hokkien directly into other languages. Instead, it routes Taiwanese through Mandarin Chinese as an intermediary, structurally positioning Taiwanese as a subordinate variant rather than an autonomous language. This process flattens tonal complexity, idiomatic expression, and cultural nuance, reproducing historical power dynamics from Taiwan’s authoritarian period, when Mandarin was imposed as the official language and local languages were systematically suppressed. What was once state-enforced linguistic control is now re-enacted algorithmically.

Against this backdrop, the project reimagines Flood Songs (洪水歌)—coded oral folk ballads circulated during Taiwan’s authoritarian era—as a contemporary mode of algorithmic resistance. On the surface, Flood Songs appeared to describe natural disasters, but they covertly encoded political dissent, warnings, and collective memory to evade censorship. Unlike regulated written verse, which relies on only two tone categories (level and oblique), Flood Songs depended on the flexible manipulation of Taiwanese Hokkien’s full tonal range, allowing singers to embed layered meanings intelligible only to those sharing cultural and linguistic knowledge.

The website invites users to manipulate tones in real time, simulating climate-induced language change and tonal erosion. Through this interaction, users generate “glitched” speech that remains comprehensible to human listeners yet becomes unparseable to AI speech recognition systems. This deliberate mismatch exposes the limits of machine listening and proposes tonal instability as a form of digital resistance.

Resistance never disappears—it only continuously transforms:
Under authoritarian surveillance: encoded folk songs
Under algorithmic surveillance: glitched tones

Visit project on exhibition website  

 A technically ambitious project that accentuates the politics of digital colonisation and linguistic erasure.​​​​​​​

— Jury Statement

Enkaryon Ang

Enkaryon Ang is a Taipei-based poet and interdisciplinary artist whose practice weaponizes linguistic authenticity against algorithmic extraction. Author of Rorschach Inkblot and A Galaxy of Howness, former UNESCO Prague City of Literature resident and AICA critic, Ang's research spans Sinitic writing systems, Southeast Asian scripts, and colonial legacies—examined through ecological and geopolitical lenses. His project, "Glitch Floods," exploits AI synthesis failures by encoding Taiwan's traditional flood narratives into climate-altered speech patterns that resist technological harvesting.

Based in: Taipei, Taiwan

instagram.com/enkaryon 

868𰄑A𰀖𰅵
868Wearables

868Labs: 868Wearables

868wearables is a project dedicated to developing custom, open-source communication hardware for decentralized, peer-to-peer networks. At its core is a PCB designed and built by the collective, enabling LoRa-based mesh networking over the unlicensed 868 MHz band. These wearable devices enable encrypted, off-grid communication — without relying on the internet, mobile networks, or centralized infrastructure.

As such, 868wearables is a tactical response to rising censorship, surveillance, and infrastructure shutdowns across authoritarian regimes and protest zones. As both tool and statement, it supports community resilience, autonomous organizing, and resistance through artistic intervention and DIY technological sovereignty.

Visit project on exhibition website  

Selected for its well-developed proposal for off-grid, encrypted communication with practical mesh network in wearable designs.

— Jury Statement

868labs

868labs is a Berlin-based collective developing tactical tools for decentralized, off-grid communication. Initiated by new media artists Helena Nikonole, Katerina Kataeva, and collaborators remaining anonymous, 868labs group’s first prototype—868Wearables—is a peer-to-peer, open-source communication device enabling encrypted, long-range messaging over the 868 MHz radio band. Designed to be assembled, adapted, and shared, their work challenges commercial infrastructures and invites users to build their own resilient alternatives.

https://868labs.net 
Spinning footer logo on scroll
Error 417
𰁁􀅾𰅙𰁔C𰆈ATI𰅉N F𰀈𰂐𰄘𰁐D